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[folk-rock, indie-folk] (2019) Anna Tivel - The Question [FLAC,Tracks] [DarkAngie]

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(2019) Anna Tivel - The Question


Review:
Anna Tivel is a stickler for details. On The Question, the Portland-based
songwriter breathes life into her compositions by reveling in the sometimes dirty and often overlooked features of her
surroundings. A muddy river bathed in rain, a packrat’s junky side yard, or a desolate stretch of highway — over the
course of the record’s ten songs, no setting is deemed too unimportant for Tivel’s lengthy gaze. The album’s lead
single, “Fenceline,” is no exception. The lush folk song was inspired by America’s protracted battle over the
construction of barriers on the 2000-mile border with Mexico. But Tivel distills the sprawling geopolitical topic down
to a scene on a dusty stretch of poorly-maintained wire fence. There, a single migrant crawls in the dirt under the
moonlight, his heart beating rapidly while dogs bark in the distance. “Oh, angels look away,” Tivel sings with sense
of both hope and despair. “Unbar the pearly gate, unblock the road / Cause down here at the border, I’m just an
animal.” It’s a devastating line made possible by Tivel’s near-sighted approach to songwriting — a style that
lends an almost literary quality to the characters in The Question. You don’t just hear their stories, you can almost
feel them. But that effect doesn’t come easy. During a recent interview and session with opbmusic, Tivel, a serial
notetaker who often writes while traveling on tour, claims to have “twenty lame songs that are just lists of junk”
for every song that appears on one of her records. “There’s so much life in that stuff,” she says with a sense of
fascination about the things that people discard and take for granted. For Tivel, these same things are the invaluable
building blocks of her songs. Recorded in Eau Claire, Wisc., with engineer Brian Joseph (Sufjan Stevens, Bon Iver) and
producer and multi-instrumentalist Shane Leonard, The Question is a truly collaborative effort. In Leonard, Tivel has
found a partner whose obsession for sonic landscapes matches her own for the written word. His goosebumps-inducing
string arrangements feature heavily throughout the record. Leonard also plays percussion on the album and has a standout
performance on the song “Shadowland” where he skillfully guides the moody arrangement behind a complex
military-inspired beat. The two musicians perhaps combine the best on “Anthony,” a gut-wrenching song about rebirth
and impermanence written by Tivel after a neighbor’s lovingly restored dream home was destroyed by a fire. “The
building was burning / The plaster was crumbling / I lost my sense and I ran back inside,” she sings before
Leonard’s soothing strings tease through the song like fingers through hair. But the album’s title track, which
challenges notions of religious and gender identity, is the heart of the ten-song collection. “I think a lot of the
songs on this record, and that song in particular, are sort of about the struggle of figuring things out, whether it’s
how you really feel inside of yourself or questions of identity or of country,” says Tivel. “Maybe the crux of it is
that all that time searching and struggling is just as beautiful, even if it’s hard, as any sort of actual answer that
you get to.” Like any good road tripper, Anna Tivel knows that the journey is often better than the destination. And
while it may not offer up many concrete answers, The Question is still a stunning album and one of the most ambitious
folk recordings of the year.





Tracklist:
01 - The Question
02 - Fenceline
03 - Shadowland
04 -
Figure It Out
05 - Minneapolis
06 - Worthless
07 - Anthony
08 - Homeless Child
09 - Velvet
Curtain
10 - Two Strangers


Summary:
Country: USA
Genre: folk-rock, indie-folk


Media Report:
Source: CD
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Bit rate: ~
675-816 Kbps
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits

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